Showing posts with label Documentary. Show all posts
Showing posts with label Documentary. Show all posts

Monday, May 23, 2011

'Pirate Radio USA' explores how FCC limits freedom

Pirate Radio USA (2006)
Director: Jeff Pearson
Rating: Seven of Ten Stars

Veteran pirate radio broadcasters DJ Him and DJ Her take viewers inside the underground world of illegal, low-watt (usually 2-5 watts) radio stations, where people play and say what they want—until the FCC catches them and tramples all over their Constitutional Rights.


"Pirate Radio USA" is a funny, fast-paced, and important documentary that chronicles a decade of struggle by activists and operators of low-wattage micro-radio stations against the FCC and a United States Congress that seems more interested in adhering to the whims and wishes of media corporations than in the Constitutional rights of American citizens. It's a film made by someone who knows its subject well, as director Jeff Pearson and his partner in production and radio broadcast crime Mary Jones are both longtime radio pirates themselves.

The film shows the means and methods of micro-broadcasters across the United States while documenting a troubling and intentional pattern of abuse of the authority and outright Constitutional violations by the Federal government through the FCC. The filmmakers and their subjects focus primarily on the concerted efforts to quash the First Amendment rights of the micro-broadcasters, but what should be of far greater concern to all Americans is the way the Fourth and Fifth Amendments are also played fast-and-loose or outright ignored by the Feds when it comes to pirate radio. (If there's no protection from illegal searches and seizures of personal property, nor any guarantee of due process in the courts, then freedom of speech is pretty much non-existent because no one will dare use it. And THAT is what it seems the FCC has been trying to achieve in the pattern of behavior documented in this film.)

Although Pearson's admitted liberal biases occasionally shine through (such as an irrelevant reference to the "stolen" Presidential election in 2000, and a misfocused coverage of the Seattle WTO riots), "Pirate Radio USA" is mostly an evenhanded film that shows that a talented filmmaker with an honest heart can make an entertaining and informative documentary without having to distort facts or edit interviews to make subjects say or do things they never did (I'm looking at you, Michael "Fahrenheit 9/11" Moore and Ben "Expelled" Stein). It's an excellent piece of work.

No matter where you stand on the political spectrum, "Pirate Radio USA" is worth checking out. Even if you aren't particularly interested in pirate radio and low-watt broadcastiong (although at the end of the movie, I guarantee you'll feel like heading down to Radio Shack for the equipment needed), you'll have your eyes opened to the way the Federal government is stomping all over the Constitution.


Tuesday, December 14, 2010

Is your favorite scary moment in the 'Chiller 13'?

Chiller 13: The Decade's Scariest Movie Moments (2010)
Director: Shane O'Brien
Rating: Eight of Ten Stars

'Tis the season for Top X countdown lists, and cable channel Chiller appropriately enough brings a selection of horror movie hits to the table.

Premiering on Friday, December 17 at 8pm, "Chiller 13: The Decade's Scariest Movie Moments" looks back at the scariest films of the past 10 years. This hour-long countdown intersperses clips from the selected movies with opinions on the specific films the scenes were selected from, and horror movies in general, from a diverse group of actors, filmmakers, comedians, and horror movie experts. It is the first original documentary produced for Chiller.

Featured participants includes the star of "Orphan" Isabelle Fuhrman; actress Betsy Russell of the "Saw" anthology; actor Tony Todd of the "Candyman" and "Final Destination" films, as well as dozens of other horror flicks; renowned special makeup effects supervisor Greg Nicotero of "The Walking Dead" television series and countless other projects; comic book and screenwriter Steve Niles, best known for "30 Days of Night"; comedians Dan Gurewitch & David Young of collegehumor.com); and horror film directors Lucky McKee ("May") and Ti West ("Cabin Fever 2"), among others.

Focusing on big screen, big studio releases that every horror movie fan has at least heard of, the hour-long program leads off with #13 on the list, Sam Raimi's "Drag Me to Hell". My heart sank a bit when a scene from this movie was chosen as the least scary as that's a film that would be near the top of my list of the scariest movies of the past decade if I were to compile one. However, as the show progressed, I found myself agreeing with just about every choice made and commented upon by the hosts. After all, the program isn't about the best horror movie or even the scariest, but about the scariest moments from the past ten years of horror films. And as much as I found "Final Destination" to be absolutely stupid--and I remain amazed that it spawned all the successful sequels that it did--the moment from it that made the list is indeed a very scary one. The same is true of "Orphan" and a number of other films spotlighted and discussed.

I won't spoil the program by mentioning any more of the movies selected, as part of the fun of a show like this is watching the list be revealed. Horror fans, from the casual to the hardcore, will also find the commentary from the featured hosts amusing and enlightening, more often than not at the same time. The musings and comments from horror veteran Tony Todd are particularly interesting, and the comedy duo of Dan Gurewitch & David Young are funny in ways that only horror geeks through-and-through can be.

"Chiller 13: The Decade's Scariest Movie Moments" is a fast-paced, highly entertaining show that horror fans will consider time well spent. The one drawback to watching it will be that you'll be wanting to either rewatch or seek out to experience for the first time every movie featured.

For more about the program and air-times, click here to visit chiller.com and consult your local television schedule to see what cable channel Chiller can be found on. If you want to have your appetite whetted, check out the broadcast ad, and a clip from interview with Tony Todd discussing "Candyman".



Saturday, November 6, 2010

Bigfoot: The World's Greatest Ninja?

If there's one creature who is more elusive than a Master Ninja, it's Bigfoot. He goes where he wants, when he wants, and no one is ever really able to see him. And this despite the fact that some "Bigfoot scholars" believe he's a migratory animal who moves up and down the northwest coast, passing unseen through some pretty well-inhabited areas.

Movie critic and political commentator Michael Medved believes in Bigfoot, so who am I to question? I wonder if the film I'm reviewing today convinced him. It's probably one of the finest pieces of Bigfoot scholarship, even if they don't address the theory that Bigfoots (Bigfeet?) are big hairy Ninja the likes of which exist nowhere in the world but my home of the American Northwest.

(Although I don't quite get how Bigfoot can be so stealthy when he apparently stinks worse than a Venezuelan garbage dumb in July.)


The Legend of Bigfoot (1976)
Starring: Ivan Marx and Peggy Marx
Director: Harry Winer
Rating: One of Ten Stars

This film is supposedly a documentary that chronicles a ten-year quest by a professional tracker to determine the migratory habits of Bigfoot and to acquire irrefutable film documentation of their existence. It's actually a collection of nature photography that wasn't quite good enough to make it into the PBS and Mutual of Omaha programs, intermingled with out-of-focus shots of guys in fur-suits and rubber feet.


"The Legend of Bigfoot" is crushingly dull unless you're really REALLY into Bigfoot and nature films. And even if you're really REALLY into nature films, you're going to find yourself wishing that Marx would get to some point, or that Bigfoot would rear up and eat him. At the very least, I suspect you're going to find yourself reaching for the remote so you can scan past the boring bits. What do wild pigs have to do with Bigfoot? What do Caribou hunters have to do with Bigfoot? What do "ground squirrels in love" have to do with Bigfoot? While the ground squirrels are damn cute, they have NOTHING do to with Bigfoot, yet we are treated to scenes of all the above that seem as long as the ten years Marx supposedly hunted Bigfoot. (Oh... and what self-respecting tracker drives a red VW Bug, even if it was the Seventies? And drives it into the remote central Washington back country in the middle of winter?)

Will the film make you believe in Bigfoot? Only if you can believe that someone and/or his camera crew is capable of getting crystal clear film of any living animals except the mysterious, stinky Bigfoot. As hoaxes/mocumentaries go, this is very badly done. It's far more likely that, if the film doesn't put you to sleep, it will motivate you to change the station the next time they're discussing the critter on "Coast-to-Coast AM". The theories featured in "Legend" are almost as stupid as the ones they aspouse on that show--Bigfoot as an extra-dimensional visitor is actually almost more believable than Bigfoot as migratory animal that literally moves as fast on the ground as Canada Geese fly through the air.

Supposedly, Ivan Marx--the tracker whose quest is documented in this film, and who supposedly took the blurry images of Bigfoot--was a leader in the field of Bigfoot research. I am definitely in the wrong line of work. The bar for being taken seriously in the field of Bigfoot scholarship must be seriously low, perhaps even lower than that in the field of studying scantily clad women to prove they cause earthquakes.

The people who take Bigfoot research seriously must also be very stupid, if "The Legend of Bigfoot" is the sort of material they consider valid. (Although this essay at www.bigfootencounters.com explains exactly what sort of documentarian Marx is. In brief, he's a fraud who makes Michael Moore look like Ken Burns. If "serious Bigfoot scholars" do web searches, they probably know what a piece of trash this film is.)

--
Why this film was included in the "Chilling Classics" DVD multipack--which is where I came across it--I'll never know. Perhaps someone mistook it for the Bill Rebane film known as "The Legend of Big Foot" (note the space), but never bothered to actually watch it before doing the digital transfer. Or maybe they got so bored they figured it HAD to be a Bill Rebane film. (And I apologize to Mr. Rebane for dumping on him while not even reviewing one of his movies. After all, I plenty of that here.)

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