Famous people deserve to get beat up because they're famous?

This past weekend, a pro-football player from Seattle's team, the Seahawks, was beaten and then kicked when he was down to the point that he ended up in the hospital in a coma. He was attacked outside a bar in Seattle's Party Central, Pioneer Square.

Driving around today, I heard an jackass radio talk-host say what essentially boiled down to the opinion that Hamlin deserved to get beat nearly to death, because a multi-millionaire celebrity like him shouldn't be out partying on a Sunday night.

Where the HELL was that host coming from?! Hamlin has just as much a right to go out with his girlfriend as I have to go out with mine, and as much right as you have to go out with your friends and loved ones. Just because someone is well-known or rich doesn't mean they shouldn't be able to lead their lives unmolested by human vermin.

Now, if Hamlin instigated the fight, maybe it's a slightly different issue. But there is security camera video tape of the assholes he was fighting stomping on him after he was down. That removes it from any realm of "it was his fault." And the attackers shouldn't get ANY sort of break just because Hamlin's famous.

(BTW, I never watch football, and I have no idea who Hamlin is other than what I've heard in the news.[And when I first heard it, I thought it was Colorado talkshow host Ken Hamblin who had been beat up in Pioneer Square! I was just appalled by that host's attitude.)

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Flying the unfriendly skies...

Red Eye (2005)
Starring: Rachel McAdams and Cillian Murphy
Director: Wes Craven
Rating: Eight of Ten Stars

Early in 2005, I raved about Wes Craven's "Cursed." Now, he's provided another great flick, but one where he's abandoned what has become his signature toungue-in-cheek horror efforts. With "Red Eye", Craven instead provides us with a thriller that stands up to comparison with some of Alfred Hitchcock's best efforts.


The majority of the film tales place in the cramped confines of a red-eye flight from Texas to Florida, as hotel manager Lisa (McAdams) is heading back home. She ends up seated to a charming young named Jackson (Murphy). It turns out that the meeting was anything but chance--Jackson has been watching Lisa for weeks, and he is about to force her to make a cell-call to make her assistant switch the room of a US government official staying at her hotel so assassins can kill him. Lisa is given a choice: Cooperate or have her own father be the murder victim.

"Red Eye" doesn't break any new ground, but it does what it does extremely well. The tension never lets up from the moment Jackson's true nature is first revealed, and the excellent performances by McAdams and Murphy are so engaging that the viewer's attention is never allowed to wander for a second.

If you love thrillers of the Hitchcockian variety, "Red Eye" is a must-see. It also proves that Wes Craven can still direct films aside from goofy, self-referential horror flicks.

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Fabulous anime fantasy series

Mask of Zeguy (1997)
Rating: Seven of Ten Stars


"Mask of Zeguy" was originally made as a two-part animated series, although here it is contained on one disc. It features a solid storyline about Miki, a teenaged dscendent of a powerful priestess who is is drawn into the World of the Clouds, a magical realm where she becomes embroiled in a battle to save both it and Earth.

This is a low-priced DVD, with good animations quality, interesting ideas, and plenty of action and twists and turns within a story that should appeal to both girls and boys.

One of the things that I found most appealing was the design of the World in the Clouds... it was a fascinating "what if Leonardo DaVinchi's more offbeat creations actually worked"/magic steam-punk kind of place.

The only caveat to "Mask of Zeguy" is that its storyline assumes alot of knowledge of Japanese history and classic poetry. Some of the figures that Miki meets are well-known Japanese historical/mythical figures, and some of the villians' plans are likewise probably only fully understood with some grounding in Japanese culture. That said, I don't think I have much more knowledge of Japanese history and culture than most Americans, and I enjoyed "Mask of Zeguy," so I'm sure others will, too.

On a note that isn't related so much to the cartoon as it is to its marketing, "Mask of Zeguy" was originally released in the U.S. as simply "Zeguy" (back in 1997). That title makes alot more sense than that given to the current edition--"Zeguy" is a Japanese word that translates, roughly, into "Wow!" or "Amazing!" There is no character in the show named Zeguy, nor is there any "Mask of Wow" anywhere in the program. It looks to me like someone in the marketing department decided the title needed to be punched up, and that he was making his decisions based solely on promo art for the product.

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God is a television critic?

I hope Mrs. Fiorillo will take her new lease on life and decide to skip EVERY Oprah broadcast for the rest of her life. If there's anything worse than a reality series, it's anything featuring Oprah.

From the AP...

Skipping 'Oprah' May Have Saved Woman

October 05, 2005 8:12 PM EDT


GLENWOOD SPRINGS, Colo. - Angelique Fiorillo says the boulder that crashed through one wall of her second-story apartment and out another might have struck her if she'd been in her usual spot watching "Oprah."

Fiorillo said she was in a neighbor's apartment when the table-size rock thundered down Red Mountain Tuesday afternoon.

"We're like, 'Oh my God, what is that?'" she said.

Her husband was at work. Her two cats, Odin and Loki, took cover under a bedroom dresser and were unhurt.

Rain had apparently loosened the mountainside and unleashed a slide that sent the boulder bouncing down the mountainside, glancing off tree branches and then crashing through a corner of Fiorillo's apartment. It landed on the grass lawn outside, leaving a trail of debris indoors and out.

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'Explorer Woman Ray' is two-parter that starts strong, but fades fast

In this two-part direct-to-video animated series, a pair of twin sisters join up with adventuring archelologist Ray. In the process, they avenge dead parents and keep a powerful, ancient South American treasure from falling into the hands of those who would use it for evil.

The first half of this hour-long (the first episode) tape is pretty entertaining. It's got good animation, nice Indiana Jones-like adventuring, and a nice conflict between Ray and her overbearing, blondhaired arch-nemesis. The second half (the second episode), unfortunately, shows a sharp drop in animation quality. There's more action and drama than in the first half, but the bad animation weighs it down, and it manages to pull the whole package down from what could have been a Six Rating to a Four.

(From the Inappropriate Thought Department: I keep wanting to pronounce the name of the busty lead character in a fashion with the old racist jokes involving "flied lice." :) )

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'Three Amigos' is a true comedy classic

Three Amigos! (1986)
Starring: Steve Martin, Chevy Chase, Martin Short, Patrice Martinez, Alfonso Arau, and Tony Plano
Director: John Landis
Steve's Rating: Seven of Ten Stars

When three fading stars of the silent picture era (Martin, Chase, and Short) receive a request to travel to a Mexican village in the personas of their most famous characters--western heroes "The Three Amigos"--they jump at the chance. Little do they know that the villagers don't think they're hiring three worn-out hams, but that they believe they're hiring gun-toting heroes that will drive away El Gaupo (Arau) and his gang of banditos who have been terrorizing them.

"Three Amigos!" is a fun romp, with plenty of physical comedy, fun dialogue, and characters that are funny because they are either too natty or simply stupid. The movie occasionally strays a little bit too far into utter silliness, but it is overall well-crafted with some great gags. The plot--shleps who are thrust into positions of great responsibility and danger due to a mistake, rise to become the heroes they were mistaken for--is a well-worn one, but it has rarely been done so well as in "Three Amigos!"

Out of the three stars, it is obvious even here that Martin is the most talented... and almost 20 years later, he's the only who isn't a has-been like the character he portrays in the film. Martin is extremely funny both when doing physical comedy and delivering funny lines. Martin is given a run for his money by Arau and Plano, who are hilarious as the lead bandits, who outshine stars Chase and Short with their comedic exchanges.

"Three Amigos!" is a comedy classic despite its few flaws, so I recommend it highly.





(And happy Cinco de Mayo!)

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'Hide and Seek' can remain undiscovered

Hide and Seek (2005)
Starring: Robert DeNiro and Dakota Fanning
Director: John Polson
Rating: Three of Ten Stars

Robert DeNiro plays a psychiatrist whose wife commits suicide one night, apparently completely out of the blue. His young daughter (Fanning) is deeply traumatized by the event, so the widower relocates her and himself to an isolated country house so they can both get a fresh start. Soon after they arrive, the daughter's behavior becomes increasingly irratic. Things grow ever worse when she picks up an invisible friend named Charlie... and things get really and Charlie starts doing destructive and violent things.


I've written that capsule summary before, for a different movie. For several different movies, in fact. And most of the times I've written that summary, it's been for a movie that started out promising but fell apart in the end.

And, boy, does "Hide and Seek" fall apart at the end. It starts strong, it builds, it looks like it might make it... and then in the final act it simply collapses.

"Hide and Seek" is another entry in the ongoing pagent of thrillers with twist-endings that I'm sure the writers and directors think are oh-so-clever, but which really are oh-so-stupid and oh-so-predictable. In the case of "Hide and Seek," the twist-ending which is supposed to be oh-so-clever falls completely flat because a) it could only occur in a world where EVERYONE has the intelligence of fruit flies, b) it drags on and on and on and on, and c) unless the secret of the twist-ending was already a staple of life in the family's household before the death of the wife [which the movie implies that it was not], the character played by Fanning is old enough that she would have had a different approach to dealing with her father and Charlie than she does in the movie (but that circles back to the 'characters are dumb as fruit-flies' problem).

"Hide and Seek" is another thriller with supernatural overtones that would have been much, much better if the filmmakers had recognized that just because you think you're clever doesn't mean you are. It could certainly have benefitted from another draft or two by someone who can actually tell a decent twist-ending story. As it is, a campfire story like "The Hook" is more satisfying.

(I will give Dakota Fanning high marks for being a creepy little kid. She does a great job, and she's worth a full Tomato. Deniro, unfortunately, overacts something fierce.)

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