Saturday, April 26, 2008

'Dead Aim' is worth setting sights on

Dead Aim (1975)
Starrng: James Westerfield, Glen Lee, Venetia Vianello, Virgil Frye and Evaristo Marquez
Director: Jose Bolanos
Steve's Rating: Six of Ten Stars

The lives of three very different groups of people--a government employed undertaker (Westerfield) and his adopted son (Lee), a former prostitute (Vianello) and her sociopathic lover (Frye) and an unlucky Army deserter (Marquez) intersect in a barren desert at the height of the American Civil War.


"Dead Aim" is a bleak western that features gorgeous cinematography, interesting performances by all the principles, and a storyline comprised of two different plots that criss-cross as the movie unfolds but that are mostly so disconnected that the film borders on an anthology. However, the tales are linked thematically and by the fact that the two most decent characters in the film--the undertaker's son and the Army deserter--both fall in love with the only beautiful thing in the movie, the former prostitute.

This is an interesting film that is permeated with a unique atmosphere and style. In fact, it presents a world that seems to operate on its own rules, so viewers might have to suspend their disbelief and just go with the flow at times. However, it's also a film that will hold your attention, because, while there isn't a whole lot of action, you will want to see what strange turn the movie takes next, and you will be interested in knowing where it's all heading.

"Dead Aim" is an undeservedly obscure Mexican-produced western, and its presence in the "Mean Guns" set adds great value to an already low-priced DVD 20-movie pack.



Wednesday, February 20, 2008

Misheard lyrics of 'Numa-Numa-Ney'

There's a Romanian techno song that's taken YouTube by storm. Here are a couple homemade videos where posters tried to make sense of the lyrics in English. Both are hilarious.





And here's an earnest translation of the song.

Wednesday, January 16, 2008

Hi-tech vs superior numbers: Who wins?

Zulu (1964)
Starring: Patrick Magee, Jack Hawkins, Michael Caine, and Stanley Baker
Director: Cy Endfield
Steve's Rating: Ten of Ten Stars

In 1879, the British thought the Zulu Nation was no match for the modern weaponry of the greatest military force on Earth. When a massive Zulu army descended upon the lonely, lightly defended outpost at Roark's Drift, that theory will be put to the test.


"Zulu" has been touted as one of the greatest war movies ever made, and it lives up to that reputatation. From the early, tense scenes--as the British soldiers stationed at Roark's Drift start to recognize that the Zulu forces are massing--through the harrowing battle scenes that make up the bulk of the film, "Zulu" is perfectly paced and crafted. It features great acting, particularly from Michael Caine who gives one of his earliest and still his best screen performance, excellent camerawork, and a well-deployed musical score. The film is particularly impressive in the way it shows the strengths and weaknesses of both sides of this real-life, history-making battle.

The movie is so well made that eventhough I knew the historical events the movie portrayed, I became so engrossed in it that I soon forgot I already knew the ending. "Zulu" is one of those rare and truly excellent movies that draws the viewer completely in.



Tuesday, January 8, 2008

Kids' TV industry skewered in dark comedy

Death to Smoochy (2002)
Starring: Edward Norton and Robin Williams
Director: Danny Devito
Rating: Eight of Ten Stars


After kid's show superstar Rainbow Randolph (Williams) is disgraced in a bribery scandal, an idealistic young performer, Sheldon Mopes (Norton) and his trademark character of Smoochy the Purple Dinosaur are tapped by the network to fill Randolph's timeslot. An instant hit, Sheldon is soon faced with the choice of abandonining his dreams of entertaining and educating kids in a wholesome fashion for crass commercialism, or standing by his principles and taking on the kid's entertainment industry... a shadow-filled world that makes a Mafia Made Man summit look like a Boy Scout jamboree. And will he survive the insane attempts at revenge launched at him by an increasingly deranged Randolph?


"Death to Smoochy" is a dark comedy with some truly hilarious moments, with a cast of characters that grow ever more bizarre as the film progresses and we learn more about them. Williams in particular shines as the thoroughly corrupt and repulsive Rainbow Randolph, and Norton is also great as the idealistic-but-never-foolish Sheldon. The supporting cast (led by Danny Devito, Jon Stewart, and Harvey Fierstein) are all excellent in their parts.



Friday, December 28, 2007

Dewey Cox Rocks!

Walk Hard: The Dewey Cox Story (2007)
Starring: John C. Reilly, Jenna Fischer, Tim Meadows, Chris Parnell, Matt Besser, David Krumholz, Raymond J. Barry, and Kristen Wiig
Director: Jake Kasdan
Rating: Seven of Ten Stars

"Walk Hard: The Dewey Cox Story" is a broad spoof of rock star biopics that chronicles the career and life, times and personal struggles of legendary singer/songwriter/guitarist Dewey Cox, from his humble beginnings in Arkansas and the tragedy that set him on his path to stardom; his tough early years with his first wife; his rise to superstardom and how Elvis once was his opening act; his struggle with drug addiction (and how he once dropped acid with the Beatles in India); and how late in life he discovered the joy of family and bonded with the 35 or so children he'd fathered during his six decades in the music business, and ended his career back at the top of fame.


As is fitting for a send-up of films like "Walk the Line", "Ray", and "The Doors", the comedic heart of this movie is the wonderful songs. Just as the film paradies moves, so does the music poke fun at popular music throughout the second half of the 20th century. The songs are so well done that if you're not paying attention, you might think they're real hits from the time period they supposedly date from. Particularly funny is a double-entendre laden 1950s-style rock duet titled "Let's Duet", a 1960s protest song expressing solidarity with midgets titled "Let Me Hold You (Little Man)--a song that had me laughing so hard I missed several of the jokes that followed--and a send-up of Bob Dylan's rambling free-form songs.

Aside from a great line-up of funny songs, "Walk Hard" boasts some very funny performances from the entire cast, but star John C. Reilly (who sings and acts his heart out in every scene of the movie) and Tim Meadows (who plays his long-time drummer and friend who gets Dewey hooked on every conceivable drug) stand out in particular. Jack Black and Paul Rudd also has a very funny cameos as Paul McCartney and John Lennon.

The excellent performances grow from a well-done script that offers up humor ranging from screamingly obvious to so subtle you might miss it if you're not paying attention. The story arc of Dewey first coming unglued and then coming to terms with the fact he cut his brother in half with a machete runs through nearly the entire film, but it rears its head in several almost invisible ways, but if you spot them, you discover that this seemingly very simple, somewhat goofy spoof has some very intelligent aspects to it.

If you have a sense of humor and if you enjoyed movies like "Wake the Line" and "The Doors", you'll get a charge out of "Walk Hard: The Dewey Cox Story". You'll like it twice as much if you enjoyed "This is Spinal Tap".



Friday, November 30, 2007

The Mysterious 'Ninja Death' Trilogy

"Ninja Death" is a film as mysterious as the ninja themselves.

Although I've done the same level of research that CNN does when vetting submitted questions for a Republican YouTube debate, I've been unable to discover much information about "Ninja Death". I've been able to identify a very small number of the actors in the film, I have no idea who directed it, originally produced it, or if it was even ever finished and released in its original homeland of China (or maybe Taiwan).


What I do know is that the "Ninja Death" trilogy was originally a REALLY long movie that was broken into three parts. Although a credit sequence was filmed--with ninja and each principal actor doing a couple of martial arts tricks and poses, no credits are listed on screen. The English dubbing seems to have run into financial difficulties, as the voice actors change a couple of different times throughout the movies--most noticably in "Ninja Death I" when the American/Australian voice actors are suddenly replaced by a bunch of British actors who all sound like they just got back from the Gay Pride Parade--so the lack of credits might be a result of the film being abandoned in the middle of the localization/export process.

Another theory I have is that the film wasn't even finished and released in its country of origin. It could be that the bloated running time of a little over four hours is where the film stood after its first cut by the now-anonymous director and editor... and that further editing would have taken place, but they never got to it. (There's an entire subplot with a farmer and his daugther that probably would have been cut if another editing pass has been done on the film when it was to be a single work.)

Whatever the case, "Ninja Death" was a production in trouble and it ran out of money at least once, perhaps even twice, and no one bothered to spend any money to completely finish it. Abandoned, and chopped into a "trilogy" it's now available in budget collections like the "Martial Arts 50 Movie Pack" (which is where I came by it/them). If anyone out there knows more about the history of the "Ninja Death" film/films, I'd love to hear from you. In the meantime, here's my take on the three movies.

But first... important facts learned in "Ninja Death": Ninjas vote Republican, and nothing says romance like somnambu-rape.

(By the way, the films has a very catchy main theme. As I'm typing these words, I'm finding myself whistling it. Of course, the movie also strangely uses random James Bond themes and possibly music from other sources I'm not familiar with, so it could be that the "Ninja Death Theme" I'm humming is also originally from somewhere else.)



Ninja Death I (1979? 1983? 1999?)
Starring: Lo Yiu, Luk Yee Fung, and Alexander Lou (based on web research; no names on film)
Director: None credited
Steve's Rating: Six of Ten Stars

The happy-go-lucky bouncer at a small-town Chinese brothel, Tiger (Lou), finds his life turned upside-down when secrets known only to his Kung Fu master (Fong) bring the Master and his hoard of fanatical, bloodthirsty ninja to town. As the ninjas are butchering beggars and prostitutes left and right, Tiger struggles to unlock his own mighty Ninja Power that lurks within his breast. But will he manage to do so in time, or will Ninja Death II" feature an all-new cast?

"Ninja Death I" is an example of what happens when a film project runs out of money and is abandoned. Not only do the voice actors change completely halfway through (suddenly, everyone in the film developes British accents, and the voice actor portraying Tiger goes from American and moderately talented to British and totally talent free), but no one even bothered placing English language credits over the extensive opening sequence or even to add a "To Be Continued" over the spinning Bad Guy at the abrupt end of the film. (And there's no doubt the film was made to have credits, becauze each major character gets to do goofy ninja stuff against a red background and then pose at the point the actor's name and the character he or she portrays should appear).

Speaking of Goofy Ninja Stuff... this film has it in spades! This is the kind of movie I was hoping to come across when I decared November Ninja Month. The film features an Evil Ninja Cult Leader (the "Grand Master") who has come to town with his band of black-clad ninjas, a red-clad, masked madman who is unleashed by the playing of a flute, and a band of prostitutes who are going to help him in his quest... which is to find a man with a plum flower tattooed on his chest. (And what better way to get a look at beefcake than to have an abundance of Japanese prostitutes on hand?)

And the ninjas are exactly the kind of ninjas you'd expect. They are creeping around in the forest and attacking people. They are running with tiny steps and in single file while holding their swords at awkward angles. They are killing Japanese lords while they are having sex. They are wiping out entire households. They are scamperring up ropes while barely hanging onto them. They are leaping into treetops from a standing start. They are performing acrobat tumbles for absolutely no reason. They are hiding deep, dark secrets. They are infiltrating the citizenry and each other's ranks, just because they can. They are killing beggars and whores just because they can. AND they are appearing and dissapearing under the cover of smoke boms! Ah, joy... Goofy Ninja Stuff in abundance!

In addition to the Goofy Ninja Stuff, this film has lots of silly and extreme martial arts training techniques and nonsensical "wisdom" from the martial arts master, not to mention lots of really badly translated dialogue that is made even funnier by the questionable talent of the voice actors.

On the downside, "Ninja Death I" is unnecessarily crude at times. I'm by no means a prude, but the unmotivated sex scenes and sexually charged behavior and language from some characters was more irritating than entertaining. (The extended sex scene during the explanation of "what is a ninja" was particularly obnoxious and dull. If you're going to put crap in your movie in search of an R or X rating, at least make it entertaining.)

"Ninja Death I" is not a masterpiece by any stretch of the imagination. It's not even that good a movie, but there are some nifty martial arts fight scenes and much silly Ninja Stuff! (Plus, this is the film that proves the statement "Ninjas Vote Republican". Why else would they kill all the beggars and Chinese prostitutes in the town?)



Ninja Death II (1979? 1983? 1999?)
Starring: Alexander Lou and Fei Meng (I think; no credits on film)
Director: Someone whose name was left off the credits
Steve's Rating: Three of Ten Stars

A young martial artist-in-training named Tiger (Lou) is being stalked by Evil Ninja. After his master and adopted father is defeated by Ninjas, almost killed, and then commits suicide by punching himself in the head for God-only-knows-what-reason as he hadn't finished telling telling everything he needed to know about his past, the deadly Masked Ninja, and why the Grand Master's Evil Ninja Cult that's out to kill him, Tiger continues to study the Art of the Ninja under new masters, including a pair of double-agents among the Grand Master's own ranks. But will he survive when he chooses to confront the Grand Master before his training is complete?

"Ninja Death II" is the middle part of a looong Chinese martial arts film that was divided into three seperate movies for export, and it feels like the middle of a long movie. Very little actually happens in the "film" and about 20 minutes are actually repeated footage from "Ninja Death I". (Oddly, these flashbacks don't do a whole lot to explain who the various players in the movie's plot are, so they're included more for padding than to catch up those who haven't seen the first installment in this trilogy.)

"Ninja Death II" also repeats the credit-less opening and closing sequences that were featured on the first film, but the voice actors (which suddenly became British halfway through "Ninja Death I") are back to being American. As a result, our hero, Tiger, is back to sounding like a doofus instead of a Gay Pride icon.

In this installment of the series, we are treated to boring, overlong sequences with Tiger trying to master the fighting style of Ninjas (which, in this film's conception is the "royal style" of Japan's nobility), we learn a few secrets about Tiger's history, and we have Tiger rape yet another girl while sleeping. (His first somnambu-rape was of a ninja call-girl in "Ninja Death I". Here, he forces himself upon an innocent peasant girl while dreaming about his first victim. And, just like the ninja call-girl, the peasant woman seems to fall in love with Tiger after being raped. Those wacky Chinese....) The only interesting plot developments occur when the Grand Master--who's the only Oriental villain with worse fashion sense than Fu Manchu--discovers the traitors in his ranks and sends his Ninja after them, and the Masked Ninja escapes and ends up on a fatal collision course with Tiger, who, unbeknownst to him, is the son of the Masked Ninja.

As for the fight scenes and Ninja Death Action that made "Ninja Death I" entertaining, we don't even get much of that here. With the exception of a fight where the Grand Master shows that he has big balls (in both senses of that), everything else in "Ninja Death II" is subplot material, filler material, and tasteless somnambu-rape scenes.

Speaking of rape.... For some reason, the filmmakers used James Bond theme music in both scenes involved forced sexual encounters. The first scene was in a Japanese household where the theme from "You Only Live Twice" is heard as a drunkard rapes the adopted mother of three boys as they watch. Then, we hear the theme from "Man With the Golden Gun" as Tiger rapes the peasant girl. And it's not downbeat or suspense-oriented versions of the tunes either... it's quiet, romantic renditions. Nothing says romance like somnambu-rape!)



Ninja Death III (1979? 1983? 1999?)
Starring: Alexander Lou, Fei Meng, and a buch of other actors whose names aren't on the credits
Director: Someone whose name was left off the credits
Steve's Rating: Four of Ten Stars

In the third installment of this epic tale of revenge, Tiger (Lou) discovers he's the son of the Japanese emporer's sister, completes his training in the martial arts style of the Imperial Japanese (and some other obscure fighting style that comes from who-knows-where), and joins his allies-- a blind Kung Fu master, three monks who live in barrels, a samurai, and a brother/sister pair of ninja--in a final battle to the death against the evil Grand Master and his cult of murderous Evil Ninja.

"Ninja Death III" is all about Kung Fu fighter and ninja killing. There's some plot here--including the soap operatic elements of Tiger and his mother being reunited--but it's so nonsensical and badly motivated that you're better off pretending it doesn't exist. The confusing isn't help any by the fact the characters are speaking lines so badly translated into English that in some places it's hard to grasp their meaning. (If you watch this film and can figure out why the Blind Master and Sakura, Tiger's Ninja Squeeze, decide to play a game of cross and double-cross with the Grand Master, drop me a line. It makes absolutely no sense to me.)

Although a step up from "Ninja Death II"--and it starts promisingly with a brief and useful recap of the previous films--this closing chapter dissapoints more than it entertains, despte the good fight scenes (where many of the bizarre excersizes Tiger's ninja trainer back in the first film subjected him to come in handy). The biggest dissapointment is the Masked Ninja. He is unleashed yet again, but we get very little payoff action- or storywise for all the buildup.

"Ninja Death III" is as full of goofiness as the first two chapters in the series, but I am hard-pressed to describe it as "good", or even recommend it for a Bad Movie Night; it's a little too stupid and some parts feel padded. (The best thing I can say about the film is that Tiger gets through it without raping a single girl in his sleep.)

I wonder, though, if this film couldn't be salvaged with better dubbing/translation and extensive editing. The creditless credit sequences seem to show that this film was abandoned while in process (at least as far as the exporting of it went), and I wonder if there is a single 95-minute good movie lurking within the 260-minute running time of the current the three installments.



Not all Germans fear Scientology cooties

A German associaton has honored Tom Cruise with an award. Perhaps it's just the elected officials in Germany who live in mortal terror of catching cooties because of weird cultist stars in a movie, being film in Germany, about a German Army officer whom they like to hold up as proof that they weren't all Nazis during WW2.

(I remain mostly unimpressed with Cruise (which may be why no one ever invites me to be on awards committees). And what is so brave about "Lions for Lambs" and "Valkyrie" while I'm on the subject?)

From IMDB.com...

Actor Tom Cruise will be honored for his "willingness to take risks in his movies" at an awards ceremony in Germany. The "Magnolia" star will be awarded the courage prize for pursuing "brave projects" at the 59th annual Bambi Awards in Dusseldorf on Thursday night.

The prize committee say Cruise has pursued brave projects that otherwise would not have been made, including his under-fire movie Valkyrie. Last month, Cruise was banned from shooting the movie - about a colonel who led an unsuccessful plot to assassinate Nazi dictator Adolf Hitler - in Bendlerblock in Berlin. The decision was later overturned.

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