Monday, January 31, 2011

John Barry dead at 77

British film composer John Barry, who won five Oscars and is best known for creating iconic music for the James Bond movies, has died of a heart attack, at the age of 77.

"I think James Bond would have been far less cool without John Barry holding his hand," film composer David Arnold wrote on Twitter upon hearing of Barry's passing

Barry is rightly regarded as being one of the greatest ever composers of incidental music – and individual songs – for movies. In addition to scoring 11 Bond films--including the groundbreaking music for "Goldfinger" and "Thunderball"--he created soundtracks for such diverse films as "The Ipcress File", "The Lion in Winter", "Midnight Cowboy", "King Kong", "Body Heat", "The Cotton Club", "Jagged Edge", "Chaplin", and dozens more.

Thursday, January 27, 2011

Video emerges of Taliban stoning couple to death

Ah, the Religion of Peace and the grand civilizations that arise from it.

TALIBAN SPOKESMAN: 'Anyone who knows about Islam knows that stoning is in the Koran, and that it is Islamic law. There are people who call it inhuman - but in doing so they insult the Prophet."
Yes, let's all respect the great religion of Islam for its life-enhancing philosophies and its respect for humanity.



Or perhaps we can start to recognize this sick and twisted "religion" as the vehicle for wish fulfilment by psychopaths that it is. (Please allow me to join the chorus insulting "the Prophet." May the piss of a thousand diseased homosexual prostitutes be upon him.... because that would probably be his idea of a good time.)

Monday, January 24, 2011

Great Mike Oldfield songs with trippy videos

Here are a pair of classic tunes from the great Mike Oldfield with vocals by Anita Hegerland.





Mike Oldfield and Anita Hegerland

Friday, January 21, 2011

Reports of Massive International Support for Lars Hedegaard

A while back, I passed along a plea for much-needed attention from the Danish Free Press Society to the fact that Danish courts, in the grip of rampant Islamophobia, are putting those who DARE speak truthful criticism about Islam and its followers on trial. Just for speaking those truths.

It seems Denmark is seeking closer ties with the government of Iran and other oppressive Muslim theocracies. Even the Canadians, with their outrageous so-called Human Rights Commission aren't this bad, as the tales about them standing up to demands from Iran to stop a movie screening shows.

But, speaking of Canada, it is from North of the Border that I have learned of massive international support for Lars Hedegaard, the latest victim of the Islamophobic Danish "justice system." (Not that I'm saying my post had anything to do with it, but I want to encourage my readers to add their voices of support for Hedegaard.)

Maybe the Danish authorities can be shamed into rejoining the civilized people who believe in freedom of speech and truthful news-reporting?

Click here for more Jesus and Mo

Wednesday, January 19, 2011

Iranian terror comes to Canada

The terrorists in charge of Iran are wetting their pants over a forthcoming movie, so they decided to cause a little pants-wetting among Canadian authorities (as reported at Big Peace)....

Iran Shuts Down Canadian Showing of ‘Iranium’


The Canadians first stood up to the demands of Iran to stop the screening of the documentary, so Iran apparently issued a couple of more explicit threats, which sent everyone running for cover, and resulted in the screening being cancelled.

Sounds like this film is worth supporting. At the very least, Iran and their terrorist buddies in Canada need a Mo-toon style lesson in the law of unintended consequences. Go to the Iranium, watch the preview and register to see the entire film free online on its official launch date of February 8, 2011.

Or perhaps even arrange a screening of the film in your local area.

Don't let the terrorists and their asshole allies win. Whenever they try crap like this, there should be push-back from every direction.

Manning did great adaptations of Tarzan novels

Tarzan of the Apes (The Tarzan Library, Vol. 1)
(Dark Horse, 1999)

Art and Plot: Russ Manning
Adapted Dialogue: Gaylord DuBois
Rating: Eight of Ten Stars


Russ Manning is the Tarzan comic book artist. Despite much of his work on the character being done 50-60 years ago at this point, the clarity, grace, and beauty of his artwork, the majesty and sense of adventure he brought to the comic book versions of Edgar Rice Burroughs' most famous character has yet to be exceeded, or even matched by the dozens of artists that have followed since. Only Joe Kubert and Burne Hogarth have come close, and this only because their approaches were so very unique and different from Manning and each other. And none of them presented Tarzan with the grace that Manning did--Kubert and Hogarth captured the savagery, but not the grace. (Actually, if there is a fault with Manning's interperation of Tarzan is that it's almost too clean and streamlined.)


Among the many Tarzan adventures that issued forth from Manning's drawingboard were adaptations of ten original Burroughs' novels, starting with "Tarzan of the Apes" and going through "Tarzan the Terrible." Published in monthly installments in the "Tarzan" comic book, these adaptations have been reprinted by Dark Horse Comics in the "The Tarzan Library", a three-volume, pocketbook-sized series.

The first book in the Dark Horse series, titled "Tarzan of the Apes", contains four Burroughs' adaptations, including two of the most-often retold in comics "Tarzan of the Apes" and "The Return of Tarzan", as well as "The Beasts of Tarzan" and "The Son of Tarzan".

All of these adaptations are excellently illustrated and scripted with great skill. They capture the essense of each novel, with "The Beasts of Tarzan" and "The Son of Tarzan" being particularly fine adaptations. In fact, they are almost better reading than the original novels themselves, as "Beasts" tends to meander at times, while the necessarily brief adapation (it was retold in a single 26-page issue of the "Tarzan" comic book series) stays focused on the main story elements of Jane's struggle for survival against the minions of the evil Rokoff and Tarzan's race to rescue both her and his infant son.

The "Tarzan of the Apes" retelling has a slightly rushed, perfunctuary feel about it, especially if you've read either the Kubert or the Hogarth adaptations, but it's still very atractive art-wise. (The era in which Manning and DuBois were working also had an impact on their adaptations, particularly of "Tarzan of the Apes"; some of the grimmer, more violent aspects of that tale are absent or glossed over, although Tarzan's life-altering battle with the bully ape--when he first uses the "sharp tooth"--unfolds as it does in the novel and in every adaptation.)

All in all, this book is a great way to introduce a young reader to the adventure stories of Edgar Rice Burroughs--parents can get them started with the comics and then have them graduate to the novels. It's also a fine example of the work by one of the greatest craftsmen to ever work in comics.


Friday, January 14, 2011

Who caused the Tucson shootings? Mojo Nixon!


Just listen to this horrible, horrible anti-government and anti-censorship song, "You Can't Kill Me"! He even calls for an armed insurrection! And if you couple it with the terrible imagery of American flags, it's clearly an incitement to violence.



(If you're insane.)

...

Oh! And then there's "Redneck Rampage"... a song that glorifies guns and bombs in the hands of retarded rednecks! And the computer game it came from is obviously one big code for hatred against immigrants!



(If you're a lunatic. Or Keith Olbermann.)

...

If there is any doubt whatsoever that Mojo Nixon is responsible for the horrible attack, "Destroy All Lawyers" will dispel it. Rarely has there been such a clear-cut incitement of hatred against an entire class of people.



(If you're stupid. Like Michael Moore.)

...

Or maybe Andrew over at Who Wants Taters??? placed the blame where it belongs in his "Commies And Fascists" post.

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